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Film Cameras

ARRI ALEXA SXT EV Camera 

Description

The ARRI ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Captures in 4K UHD, 2K, HD, and 4K Cine with high dynamic range. Capture in ARRIRAW or ProRes. Suitable for Anamorphic.

Key Highlights

  • ARRI Color Tool & Look Files

  • 6:5 & 8:9 Anamorphic Modes

  • Grading tools match ALEXA Mini & AMIRA

Canon EOS C300 Mk II Camera

Description

This 2nd generation Cinema EOS 4K Camera system with an EF Mount can be controlled via WiFi with a web browser. It offers improved features. The camera includes 4K/Full HD internal/external recording with 4K RAW output, plus a 10-bit Canon Log 2 Gamma.

Key Highlights

  • 4K/2K/Full HD Recording

  • 10-bit Canon Log 2 Gamma

  • 4K RAW Output

RED RAVEN Camera 

The RED RAVEN Camera Kit gives you all the components you need to begin shooting true professional-quality video. Along with the kit you’ll get Final Cut Pro X*, which allows professional video editors to work quickly and easily with RED RAVEN footage on MacBook Pro, iMac, and Mac Pro systems.Designed and engineered to meet RED’s exacting standards for superior image quality, the RED RAVEN camera can capture high-resolution motion and stills in 4.5K Full Format at up to 120 frames per second (fps)—or 2K Full Format at up to 240 fps.

It also allows you to take advantage of RED’s cinema-grade dynamic range and color science while offering the ability to record in REDCODE RAW (R3D) and Apple ProRes simultaneously.

The kit includes a lens, monitor, handle, batteries, media, and other components from RED and other professional brands, making it a complete solution for content creators. And weighing in at just 3.5 pounds (1.59 kg), RAVEN delivers the ultimate blend of flexibility and performance for any situation.

A complete solution that comes with lens, monitor, handle, batteries, media, and other components from RED and other professional brands

Comes with content code for Final Cut Pro X*

RAVEN delivers incredible dynamic range making it capable of shooting HDR content out-of-the-box

Durable, lightweight (3.5 lb./1.59 kg) construction and the ideal blend of flexibility and performance

Professional Lighting Kits 

ARRI Softbank II Plus 4 Light Kit

This ARRI Softbank II Plus Tungsten 4 Light Kit includes barndoors, filter frames, scrims, a softbox, light stands, bulbs, accessory kit, and a heavy duty wheeled case. The 650W Fresnel features a high purity aluminum, spherical, specular reflector, 25' (7.6 m) cable and a low expansion 4.3" (110 mm) borosilicate Fresnel lens. The beam angle in the flood position is 54°, and a narrow 13° in the spot position.

The ARRILITE 750 Plus from ARRI is an enhanced version of the tried-and-true ARRILITE open face line. ARRI started with the basic design of the ARRILITE 800 and optimized the reflector to increase output 21% using a 750W HPL lamp which employs a compact filament that concentrates and augments light while increasing efficiency. The result is almost double the output. A redesigned one-arm stirrup instead of a yoke facilitates greater movement while the dedicated accessory holder allows use of Chimera softboxes without a speed ring.

ARRI Softbank I Tungsten

4 Light Kit 

This ARRI Softbank 1 Tungsten 4 Light Kit includes barndoors, filter frames scrims, a softbox, light stands, bulbs, accessory kit, and a heavy duty wheeled case.

The ARRI 300W Plus Fresnel is designed to gather as much light as possible and direct it through the 3.2" (81.2 mm) low expansion, borosilicate Fresnel lens producing a soft, even field of light. The beam spread is 15 - 55°

The 650W Fresnel features the same lens, reflector, housing and power cord as the 300W Fresnel. The beam angle in the flood position is 54°, and a narrow 13° in the spot position.

Kino Flo Select 30 DMX Soft Case Kit

The Kino Flo Select 30 DMX Soft Case Kit allows you to create beautiful natural, soft light with adjustable color temperature from 2700K to 6500K. The 3-foot wide LED provies a pleasing, wrapping light source perfect for portraits and interviews. The slick LED panel can be removed and controlled remotely for ultimate lighting control and adjusts from 1-100% via wired or wireless DMX. For more gripping power, the MTP-BC41 mount provides enhanced jaws for greater flexibility and features a curved design. The Select 30 only requires 1.3 amps at 120 volts to operate. 

The equipment pictured above is only a small part of our arsenal of equipment. A complete list of film equipment can be requested by emailing or calling us. These are not rentals but part of the New York Film Center - Production Development Retreat package. This equipment is the heart of our operation and allows the filmmaker to make their films at a fraction of the cost of a regular production. 

Just like our facility, our equipment list will continue to evolve and grow as needed.

 

 

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